
At the birth of the Republic, the contrast with the European monarchies became clear. The ideals of the Republic represented a fundamental shift in the role of government in individuals’ lives.

At the birth of the Republic, the contrast with the European monarchies became clear. The ideals of the Republic represented a fundamental shift in the role of government in individuals’ lives.

George Washington, to some, is revered as a brilliant general. To others, he is to be remembered because in his will drafted in the summer of 1799, he freed all of his slaves and took the extra step of ensuring that the slaves would be taught to read and write and be prepared for “some useful occupation.” Gordon Wood, Revolutionary Characters: What Made the Founders Different, 40. (more…)

In the earliest years of the Republic, the Founding Fathers sought to design the symbols and designs that would characterize the United States. One of the most prominent symbols of the early Republic is the Great Seal of the United States. Benjamin Franklin, Thomas Jefferson, and John Adams all tried to design the Great Seal. Gordon Wood, Empire of Liberty, 554.
Benjamin Franklin proposed “a biblical scene, that of Moses” dividing the Red Sea. Id. Jefferson also wanted a depiction of a biblical scene, “the Children of Israel in the Wilderness.” Id. Adams, however, “proposed Hercules surveying the choice between Virtue and Sloth, the most popular of emblems in the eighteen century.” Id.
Ultimately, Congress gave the job of designing the Great Seal to Charles Thomson, who designed the Great Seal familiar to all Americans. The eagle “on one side was a symbol of empire.” Id. The pyramid “represented the strength of the new nation,” and the “all-seeing eye on the reverse stood for providence.” Id.
The Latin mottoes also brought meaning to the new Republic. Novus Ordo Seclorum means “a new order of the ages,” and Annuit Coeptis means “He has looked after us.” These mottoes were taken from Virgil, the ancient Roman poet. Id. citing Frank H. Sommer, “Emblem and Device: The Origin of the Great Seal of the United States,” Art Quarterly, 24 (1961), 57-77; Steven C. Bullock, “‘Sensible Signs’: The Emblematic Education of Post-Revolutionary Freemasonry,” in Donald R. Kennon, ed., A Republic for the Ages: The United States Capitol and the Political Culture of the Early Republic (Charlottesville, 1999), 203, 210.
Meanwhile, others, like Jefferson, oversaw completion of buildings reminiscent of the ancient Roman buildings of many centuries ago. He sought to make the Virginia capitol building to be a copy of the Maison Carrée, an ancient Roman temple from the first century. Gordon Wood, Empire of Liberty, 558. Jefferson believed that buildings modeled after ancient Rome would “improve the taste of my countrymen, to increase their reputation, and to reconcile to them the respect of the world, and procure them its praise.” Thomas Jefferson to William Buchanan and James Hay, 26 Jan. 1786, to James Madison, 20 Sept. 1785, Papers of Jefferson, 9: 220-22, 8: 534-35.
These early actions by the Founding Fathers inform modern students of history, and modern Americans generally, of the grandeur and splendor that the Founding Fathers hoped America would enjoy. The Founding Fathers understood that the creation of the Republic provided the greatest hope for the country, and perhaps the world, to be the most well-functioning, egalitarian society since ancient Rome.
The aspirations of the Founding Fathers for America must have helped Americans to propel the country ahead of others and to maintain its stature. The Founding Fathers began the narrative that America was destined for greatness. While those beginnings were modest, and much turmoil was to unfold over the course of the young country’s history, Americans will recognize that those symbols of centuries ago and the accompanying mottoes are not just meaningless symbols. They are symbols that remind all Americans of the humble, hopeful beginning of the United States.

Charles Willson Peale was an “artist, politician, scientist, tinker, and showman,” who was one of the leaders in enhancing civic society. Namely, he created a museum, which he said was to promote “the interests of religion and morality by the arrangement and display of the works of nature and art.” Lillian B. Miller, Patrons and Patriotism: The Encouragement of the Fine Arts in the United States, 1790-1860 (Chicago, 1966), 90.
Peale first opened the museum in 1786 with his brother James Peale, and the museum had paintings, fossils, stuffed birds, stuffed wild animals, and a “miniature theater with transparent moving pictures.” Gordon Wood, Empire of Liberty, 556. It served as a contrast to the European museums of the day, which were only open to “select or privileged groups befitting Europe’s hierarchal societies . . . .” Id. Peale opened the museum to all who were able to pay the twenty-five cent admission. Id. He decided that if it were free, it would be abused and not appreciated, and if it were too expensive, not enough of the public would be able to enjoy it. Id.
Peale’s museum enjoyed great success, “attracting nearly forty thousand visitors a year,” by 1815. Id. citing David C. Ward, Charles Willson Peale: Art and Selfhood in the Early Republic (Berkeley, 2004), 103-04.
Peale’s museum fit into the greater spirit of the early Republic’s approach to art and education for the public. Thomas Jefferson and the Republicans encouraged “[a]nything that might inspire patriotic and republican sentiments, such as viewing Washington’s statue or one of his many portraits,” and criticized anything European. Gordon Wood, Empire of Liberty, 557.
Further, and perhaps most notably, many Republicans, including Jefferson, began naming areas after the names of Ancient Rome or Ancient Greece. Id. Jefferson himself proposed naming new states in the Western United States various classical names, such as “Assenisipia, Pelisipia, and Cherronesus.” Id.
It is clear from these developments that early Americans were anxious to make a society separate from Europe but reminiscent of the ancient civilizations that laid the foundation for America to exist. Much of this sentiment carries forward to today. As close as Europe was and continues to be culturally, politically, and economically, America has always had a desire to be different. Peale’s museum is just one manifestation of that desire.
Peale’s museum also helped foster an environment in America where learning was accessible and desirable. One of the key underpinnings of the early Republican ideals was that Americans should be informed, educated, and have a thirst for knowledge. Peale’s museum created a model for other museums, all of which permitted the common American to live up to those ideals of the Republicans.
These early actions by Peale, Jefferson, and others planted the seeds for a more robust, healthy society, capable of sustaining the Republic for an unprecedented period of time. So far, so good.